nineteeneightyseven.com
What NineteenEightySeven.com Actually Is
NineteenEightySeven.com is the official website of Nineteen Eighty Seven, an electro-pop group from Kansas City, Missouri.
The group was formed in 2010 by vocalist Nathan “Nate” Williams and producer and multi-instrumentalist Jeremiah Barber.
The website is not connected to George Orwell’s novel, an online shop, or a history project about the year 1987.
It is a small promotional website made to introduce the band, play its music, show videos, and provide contact details.
The homepage uses a single-page layout, with visitors moving between the biography, music, and video sections instead of opening many separate pages.
This narrow focus makes the purpose easy to understand within a few seconds.
The site feels more like a saved band profile than a growing music platform.
The Band Has a Clear Musical Identity
The website describes the group’s music as accessible electro-pop with strong melodies and song structures that are easy to follow.
Its featured review also points to indie sounds, pop textures, electronic production, and instruments inspired by the 1980s.
The Bandcamp profile uses electronic, pop, electropop, and synthpop tags, so the public description is consistent across platforms.
Jeremiah Barber handles much of the programming and musical production, while Nate Williams provides the vocals and lyrics.
This division gives the project the familiar shape of a two-person electronic act.
The songs focus on relationships, emotional tension, loyalty, pain, and the feeling of trying to escape a difficult situation.
The group also worked with Kansas City rapper Mac Lethal on “You and Me Versus the World,” which was released in January 2011.
That collaboration gives the band a stronger link to the wider Kansas City music scene.
The Website Now Feels Like a Time Capsule
The biggest issue is the age of the material.
The homepage still introduces “Maze” and “Tease” as new singles.
Both songs were released on January 16, 2016, which means they were more than ten years old by July 2026.
The other two songs shown on Bandcamp are even older.
“You and Me Versus the World” was released in January 2011, while “Who We Are” dates from October 2010.
The group’s SoundCloud page also shows no newer tracks, with its latest uploads published in May 2016.
There is no visible news section explaining whether the musicians are still recording, performing, taking a break, or working under different names.
There are also no future concert dates, recent photographs, new releases, or dated updates on the homepage.
The website can still work as an archive, but it should clearly say that this is its current role.
What the Website Does Well
The site is simple enough for almost anyone to use.
The main menu contains only biography, music, and video options, so there is little chance of getting lost.
Large images separate the sections and prevent the page from looking like one long wall of text.
The biography quickly explains where the band comes from, what kind of music it makes, and who its members are.
The video section includes a music-related soundtrack feature, a live performance at Kansas City’s Midland Theatre, and a behind-the-scenes production video.
These different video types help show that the group had experience with recording, performing, and visual production.
The direct Bandcamp connection lets visitors stream the four listed songs and download them without first creating an account on the band’s website.
A public email address also gives listeners, promoters, or past collaborators a simple way to make contact.
Where the Website Loses Trust
Calling decade-old songs “new” creates the impression that the page has been abandoned.
A visitor may wonder whether the contact address is still checked or whether the group is still active.
The page provides no “last updated” date that could answer this question.
Its footer links focus on Facebook, Twitter, ReverbNation, SoundCloud, and PureVolume, which reflects an older period of online music promotion.
The PureVolume link did not open normally during this review, while the ReverbNation link also produced a restricted response.
Broken or unreliable links make even a legitimate website feel less cared for.
The site does not visibly guide visitors toward major modern listening services such as Spotify, Apple Music, or YouTube Music.
It also lacks a mailing list, press kit, downloadable band photographs, booking information, and separate contact options for licensing or performances.
These missing parts reduce its value for music professionals, even though the basic fan experience remains usable.
The Domain Name Has Strengths and Problems
Nineteeneightyseven.com exactly matches the group’s written name, which is useful for people who already know the band.
The domain contains no hyphens, strange spelling changes, or extra words.
However, it is long and easy to mistype because visitors must correctly spell three full number words.
The name is also broad enough to be used by many unrelated creative projects.
Search results for similar wording include a Santa Cruz graffiti graphic novel, a British fashion lookbook, a contemporary art exhibition, and a pet-food branding project.
This competition can make it harder for a new listener to find the correct website through the band name alone.
Using phrases such as “Nineteen Eighty Seven Kansas City,” “1987 electro-pop band,” and the members’ names in page titles would create clearer search signals.
Dedicated pages for each song, video, member, and performance could also give search engines more useful information than one short homepage.
The Site Has a Limited Business Model
The website does not appear to earn money directly.
There is no visible merchandise store, paid membership, donation button, ticket system, or advertising space.
The Bandcamp songs are presented as free downloads rather than products with fixed prices.
This suggests that the original goal was exposure rather than direct sales.
The site probably worked as a digital business card that promoters, journalists, and new listeners could visit after hearing the band elsewhere.
The Mac Lethal collaboration and soundtrack connection may also have helped the group show that its music could work in larger creative projects.
Today, the website’s strongest business value may simply be ownership of the exact brand domain.
Keeping that domain active prevents unrelated people from taking control of the band’s main online identity.
The Most Useful Improvements
The first update should replace every use of “new single” with the correct 2016 release date.
A short status note should explain whether Nineteen Eighty Seven is active, inactive, on a break, or maintained as an archive.
Every footer link should be tested, and dead services should be removed.
Current links to Bandcamp, SoundCloud, YouTube, Spotify, and Apple Music should be placed near the top of the page when profiles are available.
The four songs could be shown in a clean discography with release dates, credits, lyrics, artwork, and working play buttons.
The site should add a clear contact area for general messages, booking, press requests, and music licensing.
A small email subscription form would allow old fans to hear about any future release without checking the page repeatedly.
The video section should show upload dates and short notes explaining why each video matters.
Real photographs of the band and Kansas City performances would create a stronger identity than general background images.
A short timeline could document the 2010 formation, the 2011 Mac Lethal collaboration, live appearances, soundtrack work, and the two 2016 singles.
The page title should include the words “Kansas City Electro-Pop Duo” to separate the group from unrelated uses of the name.
The biography should mention the project’s current status instead of speaking only in the present tense.
Even a simple notice saying “This website preserves the music of Nineteen Eighty Seven” would make the old material feel intentional.
These changes would keep the original story while making the website more honest, useful, and trustworthy.
Who Will Find the Site Useful
The site is most useful for listeners who remember the Kansas City group and want to hear its small recorded catalogue again.
Fans of independent synthpop may also enjoy discovering music that sits between electronic pop, indie music, and an older 1980s sound.
People researching Mac Lethal’s collaborations can use the site and Bandcamp page to find detailed credits for “You and Me Versus the World.”
Local music researchers may value the references to the Midland Theatre, Kansas City Art Institute, and the city’s independent music community.
The website is less useful for visitors seeking current tour dates, recent releases, or an active fan community.
Its real strength is not fresh information but the preservation of a small creative project that began in Kansas City in 2010.
With a few honest updates, NineteenEightySeven.com could become a strong official archive instead of looking like a website that was simply left behind.
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